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Egypt to be guest of honour at Cannes 2011

Youssef Chahine's "Al-Massir"

Youssef Chahine's "Al-Massir"In a new move, the Festival de Cannes announced on Thursday that it was inviting Egypt to be its first guest of honour at this year’s event. Egypt “has informed the world of its need to change the course of history and of its need for freedom, while demonstrating its collective strength and expressing its desire for democracy,” said a statement. Egypt will also be welcomed as a country with a strong history in film, whose presence in Cannes has always been justified,” it said.

This is certainly true. It might also be a strong message to the countries of North Africa for another reason. Egypt was once indeed a powerhouse of world cinema, but currently only produces some 20 films per year for a population of 73 million. This figure has dropped from 72 in 1995. By way of comparison, South Korea produces about 80 films for a population of 48 million and Iran produces about 83 films for a population of 67 million.

Egyptian cinema needs support. Like other countries such as Morocco, it also needs more resources to stamp out the chronic levels of piracy that have all but killed theatrical releases. Old-fashioned though it might sound, theatrical is still an important part of the financing and promotion of movies.

The tribute to Egypt will take place on May 18 and will include an homage to late Egyptian directing legend Yousseff Chahine, the director of “Al-Massir/Destiny” (photo) who died in 2008. Egyptian directors, actors, producers and technicians will attend the event that will also see the screening of “18 jours”, short films shot during Egypt’s January 25 revolution. The festival will also salute the Tunisian revolution by showing the Tunisian documentary film “No More Fear”.

1 comment

  1. Admin

    Politics makes another entrance at Cannes. Although making Egypt a Guest of Honour obviously pleased many people in the local industry, some are worried about who is being given the attention. A petition has started worried that, “A number of participants in the films (especially from some of the participants in the production and direction of the film 18 days) are film-makers who promoted the former regime, and made advertising campaigns outlining the dictator and entrench injustice
    and set the way for the project of inheritance to Moubarak’s son.

    We are also saddened that some of those who worked on the organization of this even to honour Egypt are government officials that were anchored to the former regime and those who ruined the cinema and culture in Egypt during the past years. Some of them are under investigation.”

    Unfortunately, they do not specify which film-makers, which makes it difficult to comment on the petition. However, the Egyptian press had a similar situation when former government titles tried to maintain control over the union of journalists after the fall of Mubarak.

    Check the petition here: http://www.ipetitions.com/petition/egyptatcannes/

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